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Faking the Ancient Andes
Karen O. Bruhns; Nancy L. Kelker
224 pp. / 6.00 x 9.00 / Nov, 2009
Hardback (978-1-59874-394-4)
Paperback (978-1-59874-395-1)
  
Related Interest
  - Archaeology
  - Cultural Studies & the Arts
  - Heritage Management and Heritage Studies
  - Latin American Studies
  - Museum Studies & Practice

Nasca pots, Quimbaya figurines, Moche porn figures, stone shamans. Fakes and forgeries run rampant in the Andean art collections of international museums and private individuals. Authors Karen Bruhns
"This is a lively and engaging book that takes on a theme that many people wish to ignore. The reality is that forgeries of antiquities are found throughout the legal and illicit marketplace, in private collections, and in museum collections. Fakes and are even illustrated in our textbooks. The authors have brought together an impressive array of first hand evidence showing how the ever-growing number of forgeries has not only distorted the unethical antiquities market, but is also distorting our view of history. This is an important book that should be read by anyone concerned with our cultural heritage. "

- Charles Stanish, Director, Cotsen Institute of Archaeology, UCLA

and Nancy Kelker examine the phenomenon in this eye-opening volume. They discuss the most commonly forged classes and styles of artifacts, many of which were being duplicated centuries ago. More important, they describe the system whereby these objects get made, purchased, authenticated, and placed in major museums as well as the complicity of forgers, dealers, curators, and collectors in this system. Unique to this volume are biographies of several of the forgers, who describe their craft and how they are able to effectively fool connoisseurs and specialists. An important, accessible introduction to pre-Columbian art fraud for archaeologists, art historians, and museum professionals alike. A parallel volume by the same authors discusses fakes in Mesoamerican archaeology.



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